Radio Enemy 021 - Zhu Wenbo - Experimental Music Concert

by Radio Enemy

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	1.	Radio Enemy 021a Radio Enemy 021 - Zhu Wenbo - Experimental Music Concert a 53:47	info
	2.	Radio Enemy 021b Radio Enemy 021 - Zhu Wenbo - Experimental Music Concert b 51:37	info

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主持：朱文博；2018年4月19日；北京
host: Zhu Wenbo; April 19 2018; Beijing

a
小林寿代 Hisayo Kobayashi - Tokyo Oct. 2016 #
山田寛彦 Hirohiko Yamada - grasses #
小林寿代 Hisayo Kobayashi - The music having conscious of temperature *
高野真幸 Masayuki Takano - Triangle septet live!! *
高野真幸 Masayuki Takano - oikoi #

b
佐々木伶 Rei Sasaki - scherzo no.1 poly-phony *
中条護 Mamoru Nakajyo - table 3 *
小林寿代 Hisayo Kobayashi - a piece for triangles *
山田寛彦 Hirohiko Yamada - harmonies #
Active Recovering Music - 7

* 选自 Experimental Music Concert (Slub Music, 2015)
# 选自 Experimental Music Concert vol.2 (Slub Music, 2017)
Active Recovering Music 由 Ftarri 发行，2013年作品

大约是一个月前，我问颜峻有没有听过《实验音乐演奏会》这两张合集，我特别喜欢。他说他刚好有一张。过了一会儿，也可能是过了几天，他告诉我说他听了一遍，觉得真好。

颜峻问我要不要做一期敌台，关于“实验作曲”。我说我刚好想写一篇文章，写这两张合集。不过只有文章干巴巴的，或许真是有声的电台节目会更有意思。

文章已经发，现在是有声节目。

可能是一年前，或者两年前，我在slsk上下载到了2015年发行的合集第一辑。虽然那时候我还没看过CD内页，也不知道更多的信息，但是音乐给我留下了特别深刻的印象。很简单的音乐，没有什么高超的技巧，也没有什么极端的频率，极端的音量（无论大音量还是空白）。那么我为什么会有这么深刻的印象，来回听了好几回呢？或许是因为合集里的那些“非乐器”曲目吧。听到它们的时候，真是醒神的时刻。

因此在这期敌台里选的很多都是这些“非乐器”曲目。

你似乎能听出一些逻辑（也就是作曲的规则），又不那么确定，这点特别好；另外让人心生好感的原因，大概是因为，这些演奏，都在尽力抹去技巧，降低演奏的门槛。在自由即兴越来越趋向于高超技巧、奇异声响的时候，并不擅长于此的乐手（如我）如何才能镇定自若地相信“众声平等”呢？或许这，便是方法门路之一。

节目的最后，放了一首不是这两张合集里的作品，但有着相似的气质：Active Recovering Music 滑音哨笛八重奏，作曲是大藏雅彦，乐手还包括川口贵大、宇波拓、德永将豪等一众特别厉害的东京声响派新一代乐手，他们一起演奏这种没什么变化余地简单的“玩意儿”。就是它了。

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released May 5, 2018

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Radio Enemy Beijing, China

an online radio program hosted by various artists, writers and listeners. edited in Beijing. since 2010. presented by Sub Jam.
since 2023 a new version entitled little radio enemy start being hosted by yan jun for 新鬼 app, also on 小宇宙.

subjam.org

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