(part a: track 1-9)

主题：容易听；主持：颜峻；2013年6月；北京
Topic: easy listening; host: Yan Jun; June, 2013; Beijing

01, Sonny Boy Saltz (Lol Coxhill) – 老鼠爱大米 | The Mouse Loves The Rice (London Listens To Beijing Top 10; 2005; British Council) (curated and produced by Clive Bell for Sound And The City project)
02, Kazuko Hohki – 猪之歌 | To Piglet (London Listens To Beijing Top 10; 2005; British Council) (curated and produced by Clive Bell for Sound And The City project)
03, Christy Doran / Fredy Studer / Phil Minton / Django Bates / Amin Ali - Foxy Lady (Play the Music of Jimi Hendrix; 1995; Intuition)
04, Christy Doran / Fredy Studer / Phil Minton / Django Bates / Amin Ali - Are You Experienced? (Play the Music of Jimi Hendrix; 1995; Intuition)
05, 沢口みき w/ Jo Jo 広重 & 秋田昌美 - 子宮と人 (私の胸でおねむりなさい; 2000; Alchemy)
Miki Sawaguchi w/ Jo Jo Hiroshige & Masami Akita – Uterus and Human (Big Boobs; 2000; Alchemy)
06, 沢口みき | Miki Sawaguchi - Voice (悲恋妻; Madonna)
07, Alvin Lucier - Nothing Is Real (Nothing Is Real; 1990; Wergo)
08, The Magic I.D. – Atmospheres Of A Beginning (I’m So Awake / Sleepless I Fell; 2011; Staubgold)
09, Cool Quartet with Lina Nyberg featuring Eric La Casa – September in Tomelilla 1 (Dancing in Tomelilla; 2012; hibari)

（勘误：录音中所说“茶叶罐”应为“茶壶”）

www.yanjun.org
www.subjam.org/radioenemypage

note for English listeners:
the topic is easy aspect of music created by improvisers, experimental musicians and avant-garde composers.
track 1 & 2: in 2005 London based composer, shakuhachi player and music cretic Clive Bell was invited by British Council to Beijing for Sound And The City project. He selected some mega hits songs and re-arranged them. Then made 1000 copies of CD to give away in small shops in Beijing. improviser Lol Coxhill’s voice is a bit rare, compare to his great fame on saxophone.
track 3 & 4: Phil Minton is one of the most creative voice improviser. It’s a real pleasure to discover his contribution on rock.
track 5 & 6: Miki Sawaguchi is a Japanese AV actress. That’s why there is track 6, her professional voice performance.
track 7: the melody was derived from The Beatles’ “Strawberry Fields Forever”. Alvin Lucier wrote this for pianist Aki Takahashi’s request. He lets her choosen a song. Then she find “nothing is real” from this song which looks fit Lucier’s music. The piano playing was recorded then played back through a small speaker placed in a tea pot.
track 8 – 12: another side of Berlin’s improvised music scene. Here focus on Kai Fagashinski, axel dörner and Nicholas Bussmann.
track 13 & 14: Simon Berz is a Swiss improviser… however, this is still improvised music.
track 15 & 16: arranged and guitar played by Otomo Yoshihide. Track 16 is a cover version of Nobuyasu Okabayashi’s famous song which was popular during Japan’s students movement in early 1970’s.
track 17: Wang Fan is one of the first few music experimentalists of China. He is also a unique song writer and singer (not singer & song writer).
track 18: Ronez aka Zhou Pei is known by hardware noise.
track 19: Tats Lau is one of the most successful popular stars in Hong Kong. Maybe next time I do a topic of Radio Enemy as Strange Aspect of Popular Music...

几首关于年轻人的歌词

（虽然自称不喜欢任何有节奏的音乐，但菲尔•明顿对歌曲并不陌生。他早期就是个好歌手，后来曾改编胡志明的《狱中书信》，写过整张专辑。在“Are You Experienced?”里面，他还插入了亨缀克斯的其他歌。其中包括这首“1983”，歌词也有一点改动，和亨缀克斯一样，兴之所至，脱口而出。）

1983
Written by Jimi Hendrix

Hurray I awake from yesterday
Alive but the war is here to stay
So my love catherina and me
Decide to take our last walk thru the noise to the sea
Not to die but to be reborn
Away from the lands so battered and torn
Forever forever

Oh say can you see it's really such a mess
Every inch of earth is a fighting nest
Giant pencil and lipstick-tube shaped things
Continue to rain and cause screamin' pain
And the arctic stains from silver blue to bloody red
As our feet find the sand
And the sea is straight ahad
Straight up ahead

Well it's too bad that our friends can't be with us today
Well it's too bad
The machine that we built
Would never save us that's what they say
That's why they ain't comin' with us today
And they also said it's impossible
For a man to live and breathe undrerwater
Forever was a main complaint
Yeah and they also threw this in my face they said
Anyway you know good and well
It would be beyond the will of god
And the grace of the king
Grace of the king
Yeah

Ooo

So my darling and I make love in the sand
To salute the last moment ever on dry land
Our machine it has done it's work played it's part well
Without a scratch on our body when we bid it farewell
Starfish and giant foams greet us with a smile
Before our heads go under we take our last look at the killing noise
Of the out of style
The out of style out of style oh yeah
Oooo

So down and down and down and down we go
Hurry my darlin' we mustn't be late
For the show
Neptune champion games to an aqua world is so my dear
Right this way smiles a mermaid
I can hear atlantis full of cheer
Atlantis full of cheer
I can hear atlantis full of cheer
Oh yeah

1983
词曲：吉米•亨缀克斯；翻译：罗万象

哎呀我从昨天醒来
还活着，但战争也还没完
所以我的爱啊卡特琳娜和我
决定最后一次穿越那海的噪音
不是去死而是去重生
远离这激战和泪水的大陆
永远，永远

哦你看见没有，完全是一片混乱
地球的每一寸，都是军事基地
巨大的铅笔和唇膏形状的玩意
不断如雨落下，带来了哭喊的痛苦
从银蓝到血红，北极也染了色
当我们的脚踏到了沙子
大海一路向前
一路向前

好吧，真遗憾朋友们今天不能和我们在一起
好吧真是遗憾
我们造出来的机器
永远不会照他们说的，救我们一命
所以今天，他们才没和我们一起来
他们也说这是不可能的
一个人没法在水下呼吸和生活
追求永远是一种病
靠，他们把这一套扔到我脸上他们说
反正你懂的你都懂的
这样会违背上帝的意志
还有国王的恩宠
国王的恩宠啊
耶

哦哦哦

所以我亲爱的和我在沙滩上做爱
向干燥大陆的最后时刻致敬
我们的机器顺利完成使命
我们向它告别的时候也没抓没挠
海星和巨型的泡沫微笑着向我们问候
在埋头下潜之前我们最后看了看已然过时的
杀戮的噪音
已然过时了已然过时哦耶
哦哦哦

所以往下往下往下往下我们走啊
赶紧我亲爱的咱们不能错过
这场演出
水世界海神杯冠军赛就在我的宝贝
这条路上微笑着一个美人鱼
我能听见亚特兰帝斯充满了欢呼
亚特兰帝斯充满了欢呼
我听见亚特兰帝斯充满欢呼
哦耶

（艾尔文•路西亚答应为高桥改编一首披头士的曲子，但是他不想自己选（是出于纽约派作曲家的习惯吧，尽可能不做选择，放弃个人口味/品位）。高桥就挑了这首，理由是，里面有句“没什么是真的”，挺适合你啊。）

Strawberry Fields Forever
Written by The Beatles

Let me take you down, cos I'm going to Strawberry Fields
Nothing is real and nothing to get hung about
Strawberry Fields forever

Living is easy with eyes closed
Misunderstanding all you see
It's getting hard to be someone but it all works out
It doesn't matter much to me
Let me take you down, cos I'm going to Strawberry Fields
Nothing is real and nothing to get hung about
Strawberry Fields forever

No one I think is in my tree
I mean it must be high or low
That is you can't you know tune in but it's all right
That is I think it's not too bad
Let me take you down, cos I'm going to Strawberry Fields
Nothing is real and nothing to get hung about
Strawberry Fields forever

Always, no sometimes, think it's me
But you know I know when it's a dream
I think I know I mean a "Yes" but it's all wrong
That is I think I disagree
Let me take you down, cos I'm going to Strawberry Fields
Nothing is real and nothing to get hung about
Strawberry Fields forever
Strawberry Fields forever
Strawberry Fields forever

永远的草莓地
词曲：甲壳虫乐队；翻译：罗万象

我来带你下坠，因为我正要去草莓地
没什么是真的，没什么会伤害
永远的草莓地

闭上眼生活就变得容易
你看见的全是误会
做人太难但是总会有办法
对我来说这根本不是问题
让我带你下坠，因为我正要去草莓地
没什么是真的，没什么会伤害
永远的草莓地

我想这都不是我那棵树
我想它应该更高或者再矮一点
就是说你没有搞对频率你懂的不过这也没关系
就是说我想这也不是太糟
让我带你下坠吧，因为我正要去草莓地
没什么是真的，没什么会伤害
永远的草莓地

总是，不只是有时，总是我啊
但是你知道我知道当它就是个梦啊
我想我知道我的意思是“是”但是其实全错了
也就是我想我不能同意
让我带你下坠吧，因为我正要去草莓地
没什么是真的也没什么会伤害
永远的草莓地
永远的草莓地
永远的草莓地

（岡林信康 [Nobuyasu Okabayashi] 这首歌作于1970年，在日本学运中很受欢迎。歌词里有两句和亨缀克斯1968年的“1983”（“我们一起最后一次走向大海，不是为了死而是为了重生”）异曲同工：我们希望的不是杀掉你，而是和你一起活下去。1989年6月2号北京的一份绝食宣言，结尾的句子就更相似：我们寻找的不是死亡，而是新的生命。）

私達の望むものは
作詞/作曲：岡林信康

私達の望むものは生きる苦しみではなく
私達の望むものは生きる喜びなのだ
私達の望むものは社会のための私ではなく
私達の望むものは私達のための社会なのだ

私達の望むものは与えられるではなく
私達の望むものは奪い取ることなのだ
私達の望むものはあなたを殺すことではなく
私達の望むものはあなたと生きることなのだ

今ある不幸にとどまってはならない
まだ見ぬ幸せに今飛び立つのだ

私達の望むものはくりかえすことではなく
私達の望むものはたえず変わってゆくことなのだ
私達の望むものは決して私達ではなく
私達の望むものは私でありつづけることなのだ

今ある不幸にとどまってはならない
まだ見ぬ幸せに今飛び立つのだ

私達の望むものは生きる喜びではなく
私達の望むものは生きる苦しみなのだ
私達の望むものはあなたと生きることではなく
私達の望むものはあなたを殺すことなのだ

今ある不幸にとどまってはならない
まだ見ぬ幸せに今飛び立つのだ

私達の望むものは
私達の望むものは.....

我们希望的
词曲：岡林信康；翻译：竑广与友人

我们希望的不是活得痛苦
我们希望的是活得快乐
我们希望的不是为了社会的我们
我们希望的是为了我们的社会

我们希望的不是能够給予
我们希望的是夺取
我们希望的不是杀你
我们希望的是和你一起活

不需要为了现有的不幸而停下脚步
还有看不见的幸福我们急待奔去

我们希望的不是重复
我们希望的是一直有新的改变
我们希望的绝对不是我们
我们希望的是以我为主的持续获取

不需要为了现有的不幸而停下脚步
还有看不见的幸福我们急待奔去

我们希望的不是活得快乐
我们希望的是活得痛苦
我们希望的不是和你一起活
我们希望的是杀你

不需要为了现有的不幸而停下腳步
还有看不见的幸福我们急待奔去

我们的希望是
我们的希望是........

www.subjam.org/radioenemypage